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	<title>Comments for Gurmat Gian Group&#039;s Blog</title>
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	<link>http://gurmatgiangroup.com</link>
	<description>Sikh Women Musicians Singing Gurbani ......</description>
	<lastBuildDate>Fri, 25 May 2012 17:41:59 +0000</lastBuildDate>
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		<title>Comment on Raag Gujri by Gurpreet Kaur</title>
		<link>http://gurmatgiangroup.com/raag-gujri/#comment-2903</link>
		<dc:creator><![CDATA[Gurpreet Kaur]]></dc:creator>
		<pubDate>Fri, 25 May 2012 17:41:59 +0000</pubDate>
		<guid isPermaLink="false">http://gurmatgiangroup.com/?page_id=4601#comment-2903</guid>
		<description><![CDATA[As per this aroh, you can not use &#039;r&#039; on ascending in your tune, can use it on descending. 
Vadi sur is the king of the raag and this sur has to be given more stress while composing.  the tune. Pakar is the &#039;pehchan&#039; or image of the raag. It has to be used while composing. 
Good Luck.]]></description>
		<content:encoded><![CDATA[<p>As per this aroh, you can not use &#8216;r&#8217; on ascending in your tune, can use it on descending.<br />
Vadi sur is the king of the raag and this sur has to be given more stress while composing.  the tune. Pakar is the &#8216;pehchan&#8217; or image of the raag. It has to be used while composing.<br />
Good Luck.</p>
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		<title>Comment on Raag Gujri by jaideep</title>
		<link>http://gurmatgiangroup.com/raag-gujri/#comment-2900</link>
		<dc:creator><![CDATA[jaideep]]></dc:creator>
		<pubDate>Fri, 25 May 2012 17:19:40 +0000</pubDate>
		<guid isPermaLink="false">http://gurmatgiangroup.com/?page_id=4601#comment-2900</guid>
		<description><![CDATA[maam while putting a shabad to a rag that is to decide a tune for the shabad in a rag what all is kept in mind? for example if aroh of a rag is s g m p n s&quot; and avroh is s&quot; n dh p m g r s  can r be used in sthai after s that is while ascending can r be used as r does not figure in aroh or only while descending can it be used ? and what role does pakad and vadi play in deciding a tune for a shabad in a particular rag? thanking you,
 your student jaideep]]></description>
		<content:encoded><![CDATA[<p>maam while putting a shabad to a rag that is to decide a tune for the shabad in a rag what all is kept in mind? for example if aroh of a rag is s g m p n s&#8221; and avroh is s&#8221; n dh p m g r s  can r be used in sthai after s that is while ascending can r be used as r does not figure in aroh or only while descending can it be used ? and what role does pakad and vadi play in deciding a tune for a shabad in a particular rag? thanking you,<br />
 your student jaideep</p>
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		<title>Comment on Tu Mera Karta Haun Sevak Tera..ਤੂੰ ਮੇਰਾ ਕਰਤਾ ਹਉ ਸੇਵਕੁ ਤੇਰਾ ਸਰਣਿ ਗਹੀ ਪ੍ਰਭ ਗੁਨੀ ਗਹੇਰਾ by Gurpreet Kaur</title>
		<link>http://gurmatgiangroup.com/2009/02/23/tu-mera-karta-haun-sevak-tera-you-are-my-creator-and-i-am-your-servant/#comment-2895</link>
		<dc:creator><![CDATA[Gurpreet Kaur]]></dc:creator>
		<pubDate>Thu, 24 May 2012 15:22:47 +0000</pubDate>
		<guid isPermaLink="false">http://gurmatgiangroup.wordpress.com/?p=220#comment-2895</guid>
		<description><![CDATA[Thanks for appreciating. Do keep visiting.]]></description>
		<content:encoded><![CDATA[<p>Thanks for appreciating. Do keep visiting.</p>
]]></content:encoded>
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	<item>
		<title>Comment on Tu Mera Karta Haun Sevak Tera..ਤੂੰ ਮੇਰਾ ਕਰਤਾ ਹਉ ਸੇਵਕੁ ਤੇਰਾ ਸਰਣਿ ਗਹੀ ਪ੍ਰਭ ਗੁਨੀ ਗਹੇਰਾ by Arvinder Singh Khalsa</title>
		<link>http://gurmatgiangroup.com/2009/02/23/tu-mera-karta-haun-sevak-tera-you-are-my-creator-and-i-am-your-servant/#comment-2894</link>
		<dc:creator><![CDATA[Arvinder Singh Khalsa]]></dc:creator>
		<pubDate>Thu, 24 May 2012 13:05:58 +0000</pubDate>
		<guid isPermaLink="false">http://gurmatgiangroup.wordpress.com/?p=220#comment-2894</guid>
		<description><![CDATA[Brilliant work by GGg..thank you g]]></description>
		<content:encoded><![CDATA[<p>Brilliant work by GGg..thank you g</p>
]]></content:encoded>
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		<title>Comment on Raag Gujri by Gurpreet Kaur</title>
		<link>http://gurmatgiangroup.com/raag-gujri/#comment-2891</link>
		<dc:creator><![CDATA[Gurpreet Kaur]]></dc:creator>
		<pubDate>Wed, 23 May 2012 18:02:27 +0000</pubDate>
		<guid isPermaLink="false">http://gurmatgiangroup.com/?page_id=4601#comment-2891</guid>
		<description><![CDATA[Jaideep, Aroh &amp; Avroh define the raag and by pakar we recognize the raag. When we sing a raag all the three come into focus. During Alaap, mostly aroh &amp; avroh which show the surs used in the raag are sung in the alaap. Sur vistar is another form of alaap which uses mostly the vadi &amp; samvadi and niyas swars used in the raag. ]]></description>
		<content:encoded><![CDATA[<p>Jaideep, Aroh &amp; Avroh define the raag and by pakar we recognize the raag. When we sing a raag all the three come into focus. During Alaap, mostly aroh &amp; avroh which show the surs used in the raag are sung in the alaap. Sur vistar is another form of alaap which uses mostly the vadi &amp; samvadi and niyas swars used in the raag. </p>
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		<title>Comment on Raag Gujri by jaideep</title>
		<link>http://gurmatgiangroup.com/raag-gujri/#comment-2890</link>
		<dc:creator><![CDATA[jaideep]]></dc:creator>
		<pubDate>Wed, 23 May 2012 16:25:24 +0000</pubDate>
		<guid isPermaLink="false">http://gurmatgiangroup.com/?page_id=4601#comment-2890</guid>
		<description><![CDATA[maam when a raag is sung is it the pakad or arov or avroh or all three? what is sung during alaap and what is sur vistaar? and while singing a shabad in a raag what is kept in mind? satnam]]></description>
		<content:encoded><![CDATA[<p>maam when a raag is sung is it the pakad or arov or avroh or all three? what is sung during alaap and what is sur vistaar? and while singing a shabad in a raag what is kept in mind? satnam</p>
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