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In raag Gauri Rishab and Dhaivat are komal surs. In Aroh Dhaivat is absent. In Avroh all the surs are present, thus making its jatti Chadav Sumpooran. Vadi svar is Rishav and Samvadi is Pancham. This is an evening raga.The thaat of Pure Gauri is Bhairo. |
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Sat siri akal maam I wanted to know if the pitch at which one sings should always be fixed or could it vary while doing riyaz which pitch do you prefer maam and while singing with another person of a different pitch how does one equalise ones voice to synchronise with the others pitch
Sat Sri Akal Jaideep ji. Here, with pitch I understand that it is the ‘scale’ at which a singer is singing. Mostly, the scale of a singer is a fixed particular scale. Most of the male singers sing at ‘Pehla Kalla’ and female singers sing at ‘Panjvan Kalla’. But, it is not that a singer cannot singer at a lower or higher scale. Many a times as per composition the singing is done for that song at a different scale. I, mostly sing at ‘Panjvan Kalla scale’. And, when two singers are singing together they have to be mostly singing at the same scale ~ Gurpreet Kaur
Thank you maam is it ok to sing at first white key just left of pehla kalla that is just left of first two black keys or c of western scale so if one has to sing with someone trained at another pitch say pehla kalla which I suppose is c sharp then how does one collaborate and is it fine maam to practice gurbani singing from starting from just left of first two black keys????
Yes, it is very fine if you want to practice at first white key just left of pehla kalla. When singing with another person both of them have to be singing at the same scale. A person trained at pehla kalla can certainly adjust by singing at the lower scale. Surly, both of them have to be singing at the same scale. Certainly, singing Gurbani can be done at the scale you mentioned. ~ Gurpreet Kaur
Thank you so much maam for the inspiration and guidance